The Villa's current exhibit cemented the gallery's position at the top of my list.
"Ceramics created with fire" is a whimsical and compelling tour of the possibilities inherent in clay working. Sculptures of geisha's several feet tall are metallic and modern (thanks to the raku process). A pair of large bowls appear to have been woven from fiber, rather than carved from clay, while a trio of vases required second and third looks before I was convinced they had been made of clay rather than carved from wood.
Several pieces on the main floor most captured my imagination:
- A miniature statue of an enamel-white polar bear dwarfed by a massive sinuous boulder
- A set of small pots that looked like archaeological discoveries
- Three cases filled with hundreds of minute faces in startling expressions
- A trio of larger-than-life gargoyles with horrific grimaces made slightly less atrocious by the vivid copper-green tongues dangling far out of their mouths
Theses sketches are outtakes from those featured in this week's column. Click here to read the whole series.
They were made with a combo of graphite (quick base drawings), watercolors, and a permanent fine-line Sharpie marker. That marker accounts for the particularly bold and dark lines in these sketches, and also helps ensure the watercolors don't blur the ink into a muddy mess.
WANT TO LEARN TO SKETCH YOURSELF?
Everyone can sketch. Even you.
Actually, you were born knowing how to draw, and humankind’s ability to draw goes back even further. Archaeological records indicate that drawing was the first visual representation method.
That being said, modern drawing basics are learned, not inherited.
Fundamental skills, techniques, and knowledge of different media (ex: watercolors, pencils, pen and ink) can be taught, practiced, and improved upon.
That is why I offer personalized workshops and lessons.